“SUBLIMITY”
The quality of ‘greatness’ – whether physical, moral, intellectual, metaphysical, aesthetic, spiritual or artistic – beyond all possibility of calculation, measurement, or imitation.
AMKMQ is a multidisciplinary artist, writer and “world-builder.”
Painting and drawing since about three years old, AMKMQ has molded worlds, beings and ideologies for herself through the use of a diverse array or mediums – ranging from painting & sculpture to videography, poetry and digital design. Her work often ends up a blended concoction of physical and digital art (blurring the lines between the two).
Taking roots in Afro-Futuristic Surrealist Feminism, AMKMQ’s craft seeks to redress her 21st-century, post-colonial hybridized scars through the following processes of introspection: pre- and “post”-colonial analysis, metaphysical introspection and through the creation of her own lineage, fossils and ‘histories’ within these sickly, vribant landscapes that she traverses through as ‘Oasis.’
A philosopher at heart, her work centers around the following themes:
– Afro-Futurism, New-Age Surrealism and “Black” Metaphysics
– Feminism, Purity Politics and the Black Female Utopia
– Introspection, “Madness” and Mental Health
– Afro-Mythocracy and Black Escapism
– Pre and Post-Colonial Analysis
– The Politics of Remembering
With ALL earnestness, she refers to herself as an ‘Apocalyptic Afro-Futuristic Traveler’ – describing her “journeys” throughout these worlds she visits in her mind’s eye and within her spirit as “traversing through colorful lands, places and beings in which [she] gets to exist exactly as she should be – exactly as she is – destroying the worlds and ideas forced upon her in this current reality.”
Currently in her final year at the Brown University–Rhode Island School School of Design Dual-Degree Program, AMKMQ is studying International & Public Affairs as well as Painting, while balancing a full-time professional art career.
Painting and drawing since about three years old, AMKMQ has molded worlds, beings and ideologies for herself through the use of a diverse array or mediums – ranging from painting & sculpture to videography, poetry and digital design. Her work often ends up a blended concoction of physical and digital art (blurring the lines between the two).
Taking roots in Afro-Futuristic Surrealist Feminism, AMKMQ’s craft seeks to redress her 21st-century, post-colonial hybridized scars through the following processes of introspection: pre- and “post”-colonial analysis, metaphysical introspection and through the creation of her own lineage, fossils and ‘histories’ within these sickly, vribant landscapes that she traverses through as ‘Oasis.’
A philosopher at heart, her work centers around the following themes:
– Afro-Futurism, New-Age Surrealism and “Black” Metaphysics
– Feminism, Purity Politics and the Black Female Utopia
– Introspection, “Madness” and Mental Health
– Afro-Mythocracy and Black Escapism
– Pre and Post-Colonial Analysis
– The Politics of Remembering
With ALL earnestness, she refers to herself as an ‘Apocalyptic Afro-Futuristic Traveler’ – describing her “journeys” throughout these worlds she visits in her mind’s eye and within her spirit as “traversing through colorful lands, places and beings in which [she] gets to exist exactly as she should be – exactly as she is – destroying the worlds and ideas forced upon her in this current reality.”
Currently in her final year at the Brown University–Rhode Island School School of Design Dual-Degree Program, AMKMQ is studying International & Public Affairs as well as Painting, while balancing a full-time professional art career.
DEI FANTASMI FLOREALI ︎ COME LIGNAGGIO
“BURSTING”
To break open or apart suddenly, passionately and/or violently, especially as a result of impact or internal pressure.
AMKMQ is a multidisciplinary artist, writer and “world-builder.”
Painting and drawing since about three years old, AMKMQ has molded worlds, beings and ideologies for herself through the use of a diverse array or mediums – ranging from painting & sculpture to videography, poetry and digital design. Her work often ends up a blended concoction of physical and digital art (blurring the lines between the two).
Taking roots in Afro-Futuristic Surrealist Feminism, AMKMQ’s craft seeks to redress her 21st-century, post-colonial hybridized scars through the following processes of introspection: pre- and “post”-colonial analysis, metaphysical introspection and through the creation of her own lineage, fossils and ‘histories’ within these sickly, vribant landscapes that she traverses through as ‘Oasis.’
A philosopher at heart, her work centers around the following themes:
– Afro-Futurism, New-Age Surrealism and “Black” Metaphysics
– Feminism, Purity Politics and the Black Female Utopia
– Introspection, “Madness” and Mental Health
– Afro-Mythocracy and Black Escapism
– Pre and Post-Colonial Analysis
– The Politics of Remembering
With ALL earnestness, she refers to herself as an ‘Apocalyptic Afro-Futuristic Traveler’ – describing her “journeys” throughout these worlds she visits in her mind’s eye and within her spirit as “traversing through colorful lands, places and beings in which [she] gets to exist exactly as she should be – exactly as she is – destroying the worlds and ideas forced upon her in this current reality.”
Currently in her final year at the Brown University–Rhode Island School School of Design Dual-Degree Program, AMKMQ is studying International & Public Affairs as well as Painting, while balancing a full-time professional art career.
Painting and drawing since about three years old, AMKMQ has molded worlds, beings and ideologies for herself through the use of a diverse array or mediums – ranging from painting & sculpture to videography, poetry and digital design. Her work often ends up a blended concoction of physical and digital art (blurring the lines between the two).
Taking roots in Afro-Futuristic Surrealist Feminism, AMKMQ’s craft seeks to redress her 21st-century, post-colonial hybridized scars through the following processes of introspection: pre- and “post”-colonial analysis, metaphysical introspection and through the creation of her own lineage, fossils and ‘histories’ within these sickly, vribant landscapes that she traverses through as ‘Oasis.’
A philosopher at heart, her work centers around the following themes:
– Afro-Futurism, New-Age Surrealism and “Black” Metaphysics
– Feminism, Purity Politics and the Black Female Utopia
– Introspection, “Madness” and Mental Health
– Afro-Mythocracy and Black Escapism
– Pre and Post-Colonial Analysis
– The Politics of Remembering
With ALL earnestness, she refers to herself as an ‘Apocalyptic Afro-Futuristic Traveler’ – describing her “journeys” throughout these worlds she visits in her mind’s eye and within her spirit as “traversing through colorful lands, places and beings in which [she] gets to exist exactly as she should be – exactly as she is – destroying the worlds and ideas forced upon her in this current reality.”
Currently in her final year at the Brown University–Rhode Island School School of Design Dual-Degree Program, AMKMQ is studying International & Public Affairs as well as Painting, while balancing a full-time professional art career.
DEI FANTASMI FLOREALI ︎ COME LIGNAGGIO
“RETRIBUTION”
The dispensing or receiving of reward or punishment, especially in the hereafter.
AMKMQ is a multidisciplinary artist, writer and “world-builder.”
Painting and drawing since about three years old, AMKMQ has molded worlds, beings and ideologies for herself through the use of a diverse array or mediums – ranging from painting & sculpture to videography, poetry and digital design. Her work often ends up a blended concoction of physical and digital art (blurring the lines between the two).
Taking roots in Afro-Futuristic Surrealist Feminism, AMKMQ’s craft seeks to redress her 21st-century, post-colonial hybridized scars through the following processes of introspection: pre- and “post”-colonial analysis, metaphysical introspection and through the creation of her own lineage, fossils and ‘histories’ within these sickly, vribant landscapes that she traverses through as ‘Oasis.’
A philosopher at heart, her work centers around the following themes:
– Afro-Futurism, New-Age Surrealism and “Black” Metaphysics
– Feminism, Purity Politics and the Black Female Utopia
– Introspection, “Madness” and Mental Health
– Afro-Mythocracy and Black Escapism
– Pre and Post-Colonial Analysis
– The Politics of Remembering
With ALL earnestness, she refers to herself as an ‘Apocalyptic Afro-Futuristic Traveler’ – describing her “journeys” throughout these worlds she visits in her mind’s eye and within her spirit as “traversing through colorful lands, places and beings in which [she] gets to exist exactly as she should be – exactly as she is – destroying the worlds and ideas forced upon her in this current reality.”
Currently in her final year at the Brown University–Rhode Island School School of Design Dual-Degree Program, AMKMQ is studying International & Public Affairs as well as Painting, while balancing a full-time professional art career.
Painting and drawing since about three years old, AMKMQ has molded worlds, beings and ideologies for herself through the use of a diverse array or mediums – ranging from painting & sculpture to videography, poetry and digital design. Her work often ends up a blended concoction of physical and digital art (blurring the lines between the two).
Taking roots in Afro-Futuristic Surrealist Feminism, AMKMQ’s craft seeks to redress her 21st-century, post-colonial hybridized scars through the following processes of introspection: pre- and “post”-colonial analysis, metaphysical introspection and through the creation of her own lineage, fossils and ‘histories’ within these sickly, vribant landscapes that she traverses through as ‘Oasis.’
A philosopher at heart, her work centers around the following themes:
– Afro-Futurism, New-Age Surrealism and “Black” Metaphysics
– Feminism, Purity Politics and the Black Female Utopia
– Introspection, “Madness” and Mental Health
– Afro-Mythocracy and Black Escapism
– Pre and Post-Colonial Analysis
– The Politics of Remembering
With ALL earnestness, she refers to herself as an ‘Apocalyptic Afro-Futuristic Traveler’ – describing her “journeys” throughout these worlds she visits in her mind’s eye and within her spirit as “traversing through colorful lands, places and beings in which [she] gets to exist exactly as she should be – exactly as she is – destroying the worlds and ideas forced upon her in this current reality.”
Currently in her final year at the Brown University–Rhode Island School School of Design Dual-Degree Program, AMKMQ is studying International & Public Affairs as well as Painting, while balancing a full-time professional art career.
DEI FANTASMI FLOREALI ︎ COME LIGNAGGIO
